SHOT 95 [ROUGH] - Wai-Han Lau

The green box is the photo-strip, and the purple thing is the bag!

SHOT 70 [ROUGH] - Wai-Han Lau

This is only 32 frames, so I added writing because the loop looked funny. Because this is just over a second, I gave everyone minimal movement. I wasn't sure how to draw Edith with her face slumped on the poster so hopefully it fits in with the scenes before and after it, (I can always redraw if it doesn't fit). I'm having doubts about animating Fred's mouth; I wanted the couple to not draw attention away from Edith but also not be completely static.

SHOT 92 [ROUGH] - Wai-Han Lau

There's no voices but I tried to at least make it seem like they're having a conversation. I like to imagine Helen is telling a bad joke and Fred is laughing along, it would be funny if there were voices! Also, the red is a substitute for the photo booth curtain - I haven't drawn in Fred's hand (like in the animatic) because I think a crease to show that he's grabbed it should be fine.

Shots 05 [Vers.02] & 09 [ROUGHS] - Wai-Han Lau

Shot 05 [Version 02]

 I re-animated the second half of shot 05, adding that holding the duster pose that I quite liked - although I'm still a bit dubious about the spin that she does...

Shot 09

I'm quite satisfied with shot 09, all the props in the scene are substitutes for the moment. The last pose in this shot is held for 4 frames, but I've lengthened it because of the gif loop.

Shots 05, 06 & 08 [ROUGHS] - Wai-Han Lau

Shot 05

I've done an older version of this shot a while back, but decided to alter the poses - in the end, I still don't feel satisfied with this shot and might come between a compromise of the two shots that I've done

Shot 06

When I was animating this shot, I was concerned about the frailty of Edith - would an old woman be able to kneel successfully (without pain)? Looking at the animatic, I concluded that she's quite sprightly but still wanted to add that old-woman-vibe so I added a pained expression and slowed down her movement.

Shot 08

Shot 08's action is easier compared to the other two shots, but being able to convey that the photo-strip (represented by a stick of grass, I will animate it after I get her movement's finalised) is important to her and holds loving memories proved difficult.

I was also assigned Shot 09, which I've done an older version of (as with Shot 05) but decided to tweak it to fit Shot 06's actions (which I will post later).

Scene01Shot10 WIP

Scene 01 BG 14,16 and Pan

BGshot14

BG Shot16

Camera pan BG

This is 1280 by 720 ratio but it was no good for the camera movement

It had to look more like this

ratio is 2560 by 720